At the Edge of Seeing
These images were shot at Drummoyne Wharf on one of those magnificent photographic mornings when the honour and sometimes the city stand still as the fog rolls in....
Series Notes
This collection exists at the intersection of documentary and abstraction. The fog performs a kind of erasure, stripping away the recognisable Sydney Harbour and leaving behind something more universal—a meditation on visibility, atmosphere, and the edge between the known and the unknown. The boats become ghostly presences, suggestions rather than declarations. There's a quiet melancholy here, but also a sense of calm suspension, as if the weather has diffused time itself.