Practice Notes
I am an artist and writer exploring memory, perception, and impermanence through photography, material processes, and poetic essays. My work forms contemplative visual narratives that transform overlooked and ephemeral moments into spaces of quiet luminosity.
Working across photography, printmaking, and experimental image-making, I investigate how vision is shaped by time, technology, and human behaviour. My projects often move between image and object — from halation grids extracted from photographic masterworks to Polaroid lift transfers dissolving into translucence, and phone-eye landscapes that reveal what slips past distracted vision.
At the heart of my practice lies a fascination with the fragile relationship between ephemerality and permanence: moments disappear, yet their traces linger. I am drawn to the uncommon beauty of imperfection and approach each project as both poetic inquiry and material experiment — an attempt to illuminate how images hold memory and how perception itself remains layered, partial, and quietly profound.
Much of my thinking begins with questions that puzzle and intrigue the mind. I am often guided by small encounters with randomness, by the structures and patterns found in mathematics, by the emotional architecture of music, and by the subtle ways human presence shapes the spaces we inhabit. These influences form a quiet undercurrent within the work, encouraging a slower attentiveness to the world and to the fleeting moments of connection that reveal themselves when we are fully present.
In this sense, my practice is less about producing images than about cultivating attention — a way of noticing how light, time, and experience gather briefly before dissolving again.
